Chameleons vox youtube12/25/2022 After the recruitment of drummer John Lever of The Politicians (6), their first single "In Shreds" on CBS, made number 42 on John Peel's Festive Fifty in 1982. The three started without a drummer and got the attention of the legendary Radio 1 DJ John Peel. Mark Burgess had been in The Clichés, while Reg Smithies & Dave Fielding were in Years (3). Chameleons Vox - Cafe Du Nord - (w/Cham.New Wave Rock band formed in 1981 in Middleton, 6 miles north of Manchester.Tools Of The Trade - The Joy Formidable - 330 Ritc.White Lies - Culture Collide Block Pa.Dum Dum Girls - The Echo, Los Angeles CA.The Vaselines w/Dum-Dum Girls - Great.Sonny and the Sunsets - Great America.NOTE: both bassist Amy and singer/guitarist Keven would subsequently join local band Wax Idols. Change In The Neon LightĪudience master recording by lammah (my DIME handle) Normalization/parametric EQ/tracksplits) > FLAC(6)Ġ1. But we also got a legend of modern music thrown in, so I AM HAPPY.Įquip: Sonic Studios DSM-6/L > Sony PCM-M10 > WAV(48/32) > Adobe Audition 1.5 (downsampling to 44.1/16/ These bands by themselves would have justified the $12 Cafe Du Nord cover charge. I had thought they were from LA, but they're an SF band. Take your pick, both abso-fucking-lutely rock. 'Anthem For A Doomed Youth' is my new theme song. Even breaking a string didn't deter the sonic assault. I really enjoyed watching them, they are unusual as they feature (how do I phrase this?) Cameron Ray, a little person playing a quite stylish GIGANTIC-sounding Vox teardrop guitar. These guys I didn't seem to fully appreciate until I had a chance to listen to the playback on my recording. I also recorded both opening sets, which you can REQUEST since the original links went dead when Megaupload went offline. Feel free to argue whether the Sony or Edirol was running at the wrong speed, but this was just noticeable enough by the You still have to speed-correct SD-based recorders!īy the end, Tomzero's recording was approximately seven one-hundredths of a second faster than mine, which actually was about at the horizon of what you can speed correct under Adobe Audition, since it only allows adjustments of a mil of a percent, and this was 0.00125% divergent). Here's what some of you may find interesting. tomzero's is panned 37% to the left channel and mine is panned 37% to the right channel, which seems to give a good stereo soundstage. The common parlance for these is a 'matrix mix', but in fact this is a better termed a dual-sourced audience blend. Recorded a few feet in front of the stage, dead center. Splitting In Two Īudience master recordings by lammah and tomzero, whom you'll be seeing quite a bit of on these pages in the coming days/weeks. (Singing Rule Britannia) ġ3. A Person Isn't Safe Anywhere These Days Ġ3. Sonic Studios DSM-6 > Edirol R-09HR > WAV(42/32) > Peak LE (downsampling to 44.1/16) > Adobe Audition 1.5 (normaliztion/EQ/multitracking/tracksplits) > FLAC(6)Ġ2. Tapers: lammah / tomzeroĮquipment: Sonic Studios DSM-6/L > Sony PCM-M10 > WAV(48/32) > Adobe Audition 1.5 (downsampling to 44.1/16 > normalization/EQ/multitracking/tracksplits) > FLAC(6) Multisource audience blend aka "matrix mix" More details on the recording after the jump. I'll just let the music, lyrics, and Mark Burgess' passionate delivery do the talking. One cannot say enough good things about Mark Burgess, singer and author of the terrific ' View From A Hill '. I'm not going to dare to make any comparisons to anyone present or past, that would be most unfair, but wow, I couldn't have pictured a better match even had I the omniscience of the God whom this particular player doesn't believe exists. In particular, I have to call to your attention the stylings of one Andru Aesthetik, he of. And I have to say, they did not disappoint. Hasn't it been 25 years since their albums came out?Īnyway, the only thing one could do was judge Mark Burgess and his latest ensemble by their merits. However, "Nostalgia" (the original Chams even have a tune by that title) would become something that would wear heavy on even the most optimistic fan. This was one of those shows we couldn't afford to miss.
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